{"id":934,"date":"2023-03-23T12:38:54","date_gmt":"2023-03-23T16:38:54","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=934"},"modified":"2024-10-09T15:43:51","modified_gmt":"2024-10-09T19:43:51","slug":"1940s-conference","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/1940s-conference\/","title":{"rendered":"Poetries of the 1940s: American and International"},"content":{"rendered":"<style>.kb-row-layout-id934_fef08d-b7 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id934_fef08d-b7 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id934_fef08d-b7 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id934_fef08d-b7 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id934_fef08d-b7 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id934_fef08d-b7 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id934_fef08d-b7 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column934_ea76a6-31 > .kt-inside-inner-col,.kadence-column934_ea76a6-31 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column934_ea76a6-31 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column934_ea76a6-31 > .kt-inside-inner-col{flex-direction:column;}.kadence-column934_ea76a6-31 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column934_ea76a6-31 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column934_ea76a6-31{position:relative;}@media all and (max-width: 1024px){.kadence-column934_ea76a6-31 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column934_ea76a6-31 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column934_ea76a6-31\"><div class=\"kt-inside-inner-col\"><style>.kb-image934_4dcfb1-0e .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image934_4dcfb1-0e size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"423\" height=\"634\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2024\/04\/40s-conf001-423x634-1.jpg\" alt=\"black and white cover of the book Poetries of the 1940s American and International\" class=\"kb-img wp-image-1563\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2024\/04\/40s-conf001-423x634-1.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2024\/04\/40s-conf001-423x634-1-200x300.jpg 200w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2024\/04\/40s-conf001-423x634-1-93x140.jpg 93w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2024\/04\/40s-conf001-423x634-1-317x475.jpg 317w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,423px\" \/><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column934_d0c36f-00 > .kt-inside-inner-col,.kadence-column934_d0c36f-00 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column934_d0c36f-00 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column934_d0c36f-00 > .kt-inside-inner-col{flex-direction:column;}.kadence-column934_d0c36f-00 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column934_d0c36f-00 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column934_d0c36f-00{position:relative;}@media all and (max-width: 1024px){.kadence-column934_d0c36f-00 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column934_d0c36f-00 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column934_d0c36f-00\"><div class=\"kt-inside-inner-col\">\n<h3 class=\"wp-block-heading\"><strong><em>In memoriam<\/em><\/strong><\/h3>\n\n\n\n<p><em>Carroll F. Terrell<\/em><\/p>\n\n\n\n<p><em>February 21, 1917-November 29, 2003<\/em><\/p>\n\n\n\n<p><em>Founding Editor of&nbsp;<\/em>Paideuma<\/p>\n\n\n\n<p><em>Founding Director of the National Poetry Foundation<\/em><\/p>\n\n\n\n<p><em>Hugh Kenner<\/em><\/p>\n\n\n\n<p><em>January 7, 1923-November 24, 2003<\/em><\/p>\n\n\n\n<p><em>Senior Editor of&nbsp;<\/em>Paideuma<\/p>\n\n\n\n<p><em>Lifelong friend and supporter of the NPF<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Program<\/h3>\n\n\n\n<p>WEDNESDAY, JUNE 23<\/p>\n\n\n\n<p><strong>Poetry Reading #1:\u2008Robert Creeley<\/strong><\/p>\n\n\n\n<p>Chair: Tony Brinkley<\/p>\n\n\n\n<p><strong>Special Event #1:\u2008Tribute to Louis Zukofsky<\/strong><\/p>\n\n\n\n<p><em>On the 100th anniversary of his birth<\/em><\/p>\n\n\n\n<p>Chair: Burton Hatlen<\/p>\n\n\n\n<p>Robert Creeley, Barrett Watten, Lyn Hejinian, Bob Perelman, Mark Scroggins<\/p>\n\n\n\n<p><strong>Special Event #2:\u2008A Dramatic Reading from Powers:\u2008Track, Volume III<\/strong><\/p>\n\n\n\n<p><em>For Armand Schwerner<\/em><\/p>\n\n\n\n<p>Norman and Alice Finkelstein<\/p>\n\n\n\n<p><strong>Group Poetry Reading #1<\/strong><\/p>\n\n\n\n<p>Chair: Kevin Killian<\/p>\n\n\n\n<p>Greg Biglieri, Barbara Cole, Kathleen Johnson, Kevin Killian, Jayne Marek, Peter Middleton, Peter O\u2019Leary, Mark Scroggins<\/p>\n\n\n\n<p><strong>Open Reading<\/strong><\/p>\n\n\n\n<p>Chair: Bill Howe<\/p>\n\n\n\n<p>THURSDAY, JUNE 24<\/p>\n\n\n\n<p><strong>Panel Session #1<\/strong><\/p>\n\n\n\n<p>Panel 1A. Wallace Stevens<\/p>\n\n\n\n<p>Chair: Tony Brinkley<\/p>\n\n\n\n<p>Gregg Biglieri: \u201cLet Be Be the Finale of Be: A Transitional Moment in Stevens\u2019 Poetics of the Copula\u201d<\/p>\n\n\n\n<p>Ross Leckie: \u201cWallace Stevens Imagining the Postwar\u201d<\/p>\n\n\n\n<p>William Sylvester: \u201cWallace Stevens and Henry Rago\u201d<\/p>\n\n\n\n<p>Panel 1B. Louis Zukofsky I<\/p>\n\n\n\n<p>Chair: Kenneth Sherwood<\/p>\n\n\n\n<p>Jeff Twitchell-Waas: \u201c\u2018An eye to action\u2019: Spinoza and the Politics and Poetics of \u2018A\u2019\u201d<\/p>\n\n\n\n<p>Mark Scroggins: \u201c\u2018The Men in the Kitchens\u2019: Zukofsky\u2019s Second World War\u201d<\/p>\n\n\n\n<p>Louis Cabri: \u201cZukofsky, Myth, and the Inertial Word\u201d<\/p>\n\n\n\n<p>Panel 1C. Mina Loy<\/p>\n\n\n\n<p>Chair: Jamerson Maurer<\/p>\n\n\n\n<p>Jamerson Maurer: \u201cThe Becoming-Body of the Loyian Poetic\u201d<\/p>\n\n\n\n<p>Susan Rosenbaum: \u201cMina Loy\u2019s American \u201940s: Surrealist Aims, National Designs\u201d<\/p>\n\n\n\n<p>Suzanne Young: \u201c\u2018The Compensations of Poverty\u2019: Mina Loy\u2019s Urban Poetry of the 1940s\u201d<\/p>\n\n\n\n<p>Panel 1D. Roethke\/Jarrell<\/p>\n\n\n\n<p>Chair: David Adams<\/p>\n\n\n\n<p>Karen Alkalay-Gut: \u201cThe Self and the World: Theodore Roethke\u2019s Open House, and The Lost Son\u201d<\/p>\n\n\n\n<p>Suzanne Ferguson: \u201cLetters and\/in Poems: Ruminations on Randall Jarrell and Letter-Writing\u201d<\/p>\n\n\n\n<p>Panel 1E. The Visionary Poetics of Robert Duncan<\/p>\n\n\n\n<p>Chair: Jeff Hamilton<\/p>\n\n\n\n<p>Stephen Fredman: \u201c\u2018Passages of a Sentence\u2019: The Invention of a Visionary Postmodernism in Robert Duncan\u2019s Letters\u201d<\/p>\n\n\n\n<p>Burton Hatlen: \u201cDuncan\u2019s Early Poetry and the Poetics of the Modernist Sublime\u201d<\/p>\n\n\n\n<p>Peter O\u2019Leary: \u201cIn My Psycho\u00adlogical Concept: Sin and Conflict in Duncan\u2019s Early Poetry\u201d<\/p>\n\n\n\n<p><strong>Poetry Reading #2: Jackson Mac Low<\/strong><\/p>\n\n\n\n<p>Chair: Steven Evans<\/p>\n\n\n\n<p><strong>Poetry Reading #3:\u2008Harvey Shapiro<\/strong><\/p>\n\n\n\n<p>Chair: Norman Finkelstein<\/p>\n\n\n\n<p><strong>Panel Session #2<\/strong><\/p>\n\n\n\n<p>Panel 2A. The Second World War: Pound, Jeffers, Everson<\/p>\n\n\n\n<p>Chair: Albert Gelpi<\/p>\n\n\n\n<p>Albert Gelpi: \u201cPantheism and Pacifism: William Everson and the War\u201d<\/p>\n\n\n\n<p>Robert von Hallberg: \u201cWar Poetry: The Pisan Cantos\u201d<\/p>\n\n\n\n<p>Robert Brophy: \u201cJeffers, Inhumanism, and a War-Driven World\u201d<\/p>\n\n\n\n<p>Panel 2B. African American Poetry I<\/p>\n\n\n\n<p>Chair: Donald Wellman<\/p>\n\n\n\n<p>Grant Matthew Jenkins: \u201cMelvin B. Tolson\u2019s 1940s: An Ethical Experiment\u201d<\/p>\n\n\n\n<p>Astrid Franke: \u201cBeyond The Waste Land and the New Deal: the Modernist Documentaries of Muriel Rukeyser and Robert Hayden\u201d<\/p>\n\n\n\n<p>Fahamisha Patricia Brown:\u2008\u201cThe Early Poems of Gwendolyn Brooks and Margaret Walker\u201d<\/p>\n\n\n\n<p>Panel 2C.&nbsp; Ezra Pound I<\/p>\n\n\n\n<p>Chair: Ellen Stauder<\/p>\n\n\n\n<p>Kathe Davis:\u2008\u201cBerryman, Pound and the Imp of the Personal\u201d<\/p>\n\n\n\n<p>Youngmin Kim:\u2008\u201cRemaking It New in The Pisan Cantos: Ezra Pound in the 1940s\u201d<\/p>\n\n\n\n<p>Kamran Javadizadeh:\u2008\u201cThe Mad Poet in the Institution\u201d<\/p>\n\n\n\n<p>Panel 2D. Objectivists<\/p>\n\n\n\n<p>Chair: Lyn Hejinian<\/p>\n\n\n\n<p>Thomas J. Nelson:\u2008\u201cRhetorics of Silence: Objectivists and the 1940s\u201d<\/p>\n\n\n\n<p>Steven Shoemaker:\u2008\u201cThe Poetics of Silence: George Oppen and World War II\u201d<\/p>\n\n\n\n<p>David Briggs:\u2008\u201cLocation, Occupation, and Locomotion in Lorine Niedecker\u2019s \u2018New Goose\u2019 Manuscript\u201d<\/p>\n\n\n\n<p>Panel 2E. American Poets and World War II<\/p>\n\n\n\n<p>Chair: Norman Finkelstein<\/p>\n\n\n\n<p>Norman Finkelstein:\u2008\u201cAgain I am the death- instructed kid: Harvey Shapiro\u2019s Poems of World War II\u201d<\/p>\n\n\n\n<p>Susan Gilmore:\u2008\u201cMy poetry for my country: Propaganda as Genre in the World War II Poetry of Edna St. Vincent Millay\u201d<\/p>\n\n\n\n<p>Andrew Rosen:\u2008\u201cCondition Thyself: Robinson Jeffers Confronting World War II\u201d<\/p>\n\n\n\n<p>Panel 2F. British Poetry I<\/p>\n\n\n\n<p>Chair; Laura Cowan<\/p>\n\n\n\n<p>Bradford Haas: \u201cThe Poetry of Morris Cox in the Context of 1940s London\u201d<\/p>\n\n\n\n<p>Jamey Hecht:\u2008\u201cElegies of Two World Wars: Wilfred Owen and Dylan Thomas\u201d<\/p>\n\n\n\n<p>David Huntsperger:\u2008\u201cAestheticism and Loyalty: Basil Bunting\u2019s Response to World War II\u201d<\/p>\n\n\n\n<p><strong>Panel Session #3<\/strong><\/p>\n\n\n\n<p>Panel 3A. H.D. I<\/p>\n\n\n\n<p>Chair: Albert Gelpi<\/p>\n\n\n\n<p>Barbara Cole:\u2008\u201c\u2018We Know Not Nor Are Known\u2019: H.D.\u2019s Poetics of Negation\u201d<\/p>\n\n\n\n<p>Sarah Graham:\u2008\u201cFalling Walls: H.D.\u2019s Traumatised Poetic\u201d<\/p>\n\n\n\n<p>Anne Dewey:\u2008\u201cAgainst Ideogram: The Intersubjective Origins of Language in H.D.\u2019s Helen in Egypt\u201d<\/p>\n\n\n\n<p>Wendy Galgan: \u201cAir Raids, Alchemy, and Redemption: H.D.\u2019s Trilogy\u201d<\/p>\n\n\n\n<p>Panel 3B. African American Poetry II<\/p>\n\n\n\n<p>Chair: Michael Bibby<\/p>\n\n\n\n<p>Aldon Nielsen:\u2008\u201cRussell Atkins and the Road Not Taken\u201d<\/p>\n\n\n\n<p>James Smethurst: \u201cKitchenette Correlatives: African American Neo-Modernism, The Popular Front, and the Black Avant Garde in the 1940s\u201d<\/p>\n\n\n\n<p>Lorenzo Thomas:\u2008\u201cSoldiering On: Waring Cuney\u2019s Campaigns\u201d<\/p>\n\n\n\n<p>Panel 3C. Robert Duncan and the Berkeley Renaissance<\/p>\n\n\n\n<p>Chair: Stephen Fredman<\/p>\n\n\n\n<p>Kelly Holtz:\u2008\u201cMedieval Frames: Ernst Kantorowicz, the Berkeley Renaissance, and 1940s Transfor\u00admations in Political and Poetic Practice\u201d<\/p>\n\n\n\n<p>Jeff Hamilton: \u201cRobert Duncan\u2019s \u2018Grammar of Poetics\u2019 and the Pre-Chomskyan Linguistic Sublime\u201d<\/p>\n\n\n\n<p>Andrew Mossin: \u201cA Book of \u2018First Things\u2019: Homosexual Subjectivity, Poetic Vocation and Revisionist Politics in Robert Duncan\u2019s \u2018The Venice Poem\u2019\u201d<\/p>\n\n\n\n<p>Don Byrd: \u201cCybernetics and the Poetry Of the 1940s: A Proposal\u201d<\/p>\n\n\n\n<p>Panel 3D. Marianne Moore<\/p>\n\n\n\n<p>Chair: John Beer<\/p>\n\n\n\n<p>Ellen Levy:\u2008\u201cTheater of Ambivalence: Marianne Moore, Joseph Cornell and Lincoln Kirstein\u2019s Dance Index\u201d<\/p>\n\n\n\n<p>Kirby Olson: \u201cMarianne Moore and the Just War Tradition\u201d<\/p>\n\n\n\n<p>K. Silem Mohammad: \u201cMarianne Moore\u2019s What Are Years? and Nevertheless\u201d<\/p>\n\n\n\n<p>Panel 3E. Beginning in the 1940s I<\/p>\n\n\n\n<p>Chair: Matthew Cooperman<\/p>\n\n\n\n<p>Michael Basinski:\u2008\u201cThe Mid-1940s: Charles Bukowski\u2019s First Literary Career\u201d<\/p>\n\n\n\n<p>Matthew Cooperman: \u201cHere Then, Here Now: Discursive Centering in the Arc of Theodore Enslin\u201d<\/p>\n\n\n\n<p>Donna Hollenberg:\u2008\u201cRobert Creeley\u2019s Role in Denise Levertov\u2019s Post-War Transition\u201d<\/p>\n\n\n\n<p>Panel 3F. International Perspectives I<\/p>\n\n\n\n<p>Chair: Ellen Stauder<\/p>\n\n\n\n<p>Elizabeth Losh:\u2008\u201cTemporary Americans: Emigres, Exiles, and the Work of Bertolt Brecht and Max Ernst\u201d<\/p>\n\n\n\n<p>Demetres Tryphonopoulos: \u201cThe Homeric Nekuia in Ezra Pound\u2019s The Cantos and George Seferis\u2019 The Thrush\u201d<\/p>\n\n\n\n<p>Ela Kotkowska:\u2008\u201cBreton, Char, and Eluard: Poetic Acts of Love and Revolt in the 1940s\u201d<\/p>\n\n\n\n<p>Lisa Smorto:\u2008\u201cAsphodel: The Dying Gardens of Gottfried Benn\u201d<\/p>\n\n\n\n<p><strong>Plenary Speaker #1: J. Hillis Miller<\/strong><\/p>\n\n\n\n<p>\u201cThe Individual (Poet) and the Community:<\/p>\n\n\n\n<p>Stevens\u2019s and Williams\u2019s Poetry of the 1940s\u201d<\/p>\n\n\n\n<p>Chair: Cassandra Laity<\/p>\n\n\n\n<p><strong>Plenary Speaker #2: Alan Trachtenberg<\/strong><\/p>\n\n\n\n<p>\u201cThe Noir Decade: Historical Perspectives on the 1940s\u201d<\/p>\n\n\n\n<p>Chair: Burton Hatlen<\/p>\n\n\n\n<p><strong>Group Poetry Reading #2<\/strong><\/p>\n\n\n\n<p>Chair: Susan Schultz<\/p>\n\n\n\n<p>Karen Alkalay-Gut, Robert Archambeau, John Beer, Suzannne Ferguson, Aaron Kunin, Ross Leckie, Kenneth Sherwood, Susan Schultz, Jonathan Skinner, Ellen Smith<\/p>\n\n\n\n<p><strong>Open Reading<\/strong><\/p>\n\n\n\n<p>Chair: Bill Howe<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>In memoriam Carroll F. Terrell February 21, 1917-November 29, 2003 Founding Editor of&nbsp;Paideuma Founding Director of the National Poetry Foundation Hugh Kenner January 7, 1923-November 24, 2003 Senior Editor of&nbsp;Paideuma Lifelong friend and supporter of the NPF Program WEDNESDAY, JUNE 23 Poetry Reading #1:\u2008Robert Creeley Chair: Tony Brinkley Special Event #1:\u2008Tribute to Louis Zukofsky On [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-934","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Poetries of the 1940s: American and International - The Center for Poetry and Poetics - University of Maine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/1940s-conference\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Poetries of the 1940s: American and International - The Center for Poetry and Poetics - University of Maine\" \/>\n<meta property=\"og:description\" content=\"In memoriam Carroll F. Terrell February 21, 1917-November 29, 2003 Founding Editor of&nbsp;Paideuma Founding Director of the National Poetry Foundation Hugh Kenner January 7, 1923-November 24, 2003 Senior Editor of&nbsp;Paideuma Lifelong friend and supporter of the NPF Program WEDNESDAY, JUNE 23 Poetry Reading #1:\u2008Robert Creeley Chair: Tony Brinkley Special Event #1:\u2008Tribute to Louis Zukofsky On [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/umaine.edu\/poetry\/1940s-conference\/\" \/>\n<meta property=\"og:site_name\" content=\"The Center for Poetry and Poetics\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-09T19:43:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2024\/04\/40s-conf001-423x634-1.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/umaine.edu\/poetry\/1940s-conference\/\",\"url\":\"https:\/\/umaine.edu\/poetry\/1940s-conference\/\",\"name\":\"Poetries of the 1940s: American and International - The Center for Poetry and Poetics - University of Maine\",\"isPartOf\":{\"@id\":\"https:\/\/umaine.edu\/poetry\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/umaine.edu\/poetry\/1940s-conference\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/umaine.edu\/poetry\/1940s-conference\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2024\/04\/40s-conf001-423x634-1.jpg\",\"datePublished\":\"2023-03-23T16:38:54+00:00\",\"dateModified\":\"2024-10-09T19:43:51+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/umaine.edu\/poetry\/1940s-conference\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/umaine.edu\/poetry\/1940s-conference\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/umaine.edu\/poetry\/1940s-conference\/#primaryimage\",\"url\":\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2024\/04\/40s-conf001-423x634-1.jpg\",\"contentUrl\":\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2024\/04\/40s-conf001-423x634-1.jpg\",\"width\":423,\"height\":634,\"caption\":\"black and white cover of the book Poetries of the 1940s American and International\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/umaine.edu\/poetry\/1940s-conference\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/umaine.edu\/poetry\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Poetries of the 1940s: American and International\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/umaine.edu\/poetry\/#website\",\"url\":\"https:\/\/umaine.edu\/poetry\/\",\"name\":\"The Center for Poetry and Poetics\",\"description\":\"Formerly the National Poetry Foundation\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/umaine.edu\/poetry\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Poetries of the 1940s: American and International - The Center for Poetry and Poetics - University of Maine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/umaine.edu\/poetry\/1940s-conference\/","og_locale":"en_US","og_type":"article","og_title":"Poetries of the 1940s: American and International - The Center for Poetry and Poetics - University of Maine","og_description":"In memoriam Carroll F. 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