{"id":931,"date":"2023-03-23T12:31:21","date_gmt":"2023-03-23T16:31:21","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=931"},"modified":"2024-10-09T15:40:27","modified_gmt":"2024-10-09T19:40:27","slug":"w-b-yeats-ezra-pound-conference","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/w-b-yeats-ezra-pound-conference\/","title":{"rendered":"W. B. Yeats-Ezra Pound Celebration Conference"},"content":{"rendered":"<style>.kb-row-layout-id931_0f5414-90 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id931_0f5414-90 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id931_0f5414-90 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id931_0f5414-90 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id931_0f5414-90 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id931_0f5414-90 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id931_0f5414-90 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column931_8a53a0-50 > .kt-inside-inner-col,.kadence-column931_8a53a0-50 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column931_8a53a0-50 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column931_8a53a0-50 > .kt-inside-inner-col{flex-direction:column;}.kadence-column931_8a53a0-50 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column931_8a53a0-50 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column931_8a53a0-50{position:relative;}@media all and (max-width: 1024px){.kadence-column931_8a53a0-50 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column931_8a53a0-50 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column931_8a53a0-50\"><div class=\"kt-inside-inner-col\"><style>.kb-image931_00f1e1-ff .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image931_00f1e1-ff size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"665\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/wby-ep-conf001-665x1024.jpg\" alt=\"A scan of the cover for the W B Yeats Ezra Pound celebration conference\" class=\"kb-img wp-image-932\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/wby-ep-conf001-665x1024.jpg 665w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/wby-ep-conf001-195x300.jpg 195w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/wby-ep-conf001-768x1182.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/wby-ep-conf001-91x140.jpg 91w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/wby-ep-conf001-317x488.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/wby-ep-conf001-423x651.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/wby-ep-conf001-634x976.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/wby-ep-conf001.jpg 818w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,665px\" \/><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column931_60252b-bf > .kt-inside-inner-col,.kadence-column931_60252b-bf > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column931_60252b-bf > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column931_60252b-bf > .kt-inside-inner-col{flex-direction:column;}.kadence-column931_60252b-bf > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column931_60252b-bf > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column931_60252b-bf{position:relative;}@media all and (max-width: 1024px){.kadence-column931_60252b-bf > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column931_60252b-bf > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column931_60252b-bf\"><div class=\"kt-inside-inner-col\">\n<h3 class=\"wp-block-heading\">Program<\/h3>\n\n\n\n<p>SUNDAY, AUGUST 12<\/p>\n\n\n\n<p><strong>Session One<\/strong><\/p>\n\n\n\n<p>Chair: Carroll F. Terrell<\/p>\n\n\n\n<p>Introduction of Distinguished Guests<\/p>\n\n\n\n<p><strong>Session Two<\/strong><\/p>\n\n\n\n<p>Chair: Akiko Miyake<\/p>\n\n\n\n<p><em>At the Hawk\u2019s Well<\/em>, presented by Umewaka Troupe<\/p>\n\n\n\n<p>Pavilion Theatre<\/p>\n\n\n\n<p><strong>Session Three<\/strong><\/p>\n\n\n\n<p>Chair: Kathleen Lignell<\/p>\n\n\n\n<p>Poetry Reading Free-for-All<\/p>\n\n\n\n<p>MONDAY, AUGUST 13<\/p>\n\n\n\n<p><strong>Session Four<\/strong><\/p>\n\n\n\n<p>Panel One<\/p>\n\n\n\n<p>Chair: Laura Cowan<\/p>\n\n\n\n<p>George Bornstein, \u201cRemembering Himself: Yeats\u2019s Construction of His Early Canon\u201d<\/p>\n\n\n\n<p>Hugh Witemeyer, \u201cStone Cottages Do Not a Prison Make: Yeats-Pound, 1913-1916\u201d<\/p>\n\n\n\n<p>Richard J. Finneran, \u201cText and Meaning in Yeats\u2019s Later Poetry\u201d<\/p>\n\n\n\n<p><strong>Panel Two<\/strong><\/p>\n\n\n\n<p>Chair: Walter Sutton<\/p>\n\n\n\n<p>Anita Feldman, \u201cYeats\u2019s Purgatory: The Old Man and His Author\u201d<\/p>\n\n\n\n<p>Mohammad Shaheen, \u201cYeats and Pound in the Lands of Allah\u201d<\/p>\n\n\n\n<p>Shalini Sikka, \u201cYeats\u2019s \u2018Unity of Being\u2019 in the Perspective of Upanisadic States of&nbsp;<em>Turiya<\/em>&nbsp;and&nbsp;<em>Sushupti<\/em>\u201d<\/p>\n\n\n\n<p>Panel Three<\/p>\n\n\n\n<p>Chair: Russell Elliott Murphy<\/p>\n\n\n\n<p>Angela Elliott, \u201cPlato\u2019s Ghost and the Visions of Yeats and Pound\u201d<\/p>\n\n\n\n<p>Donald Pearce, \u201cRemembering George: Hours with the Domestic Sibyl\u201d<\/p>\n\n\n\n<p>John Walsh, \u201cSwirls and Whirls: Pound\u2019s Vortex and Yeats\u2019s Gyres\u201d<\/p>\n\n\n\n<p><strong>Session Five<\/strong><\/p>\n\n\n\n<p>Chair: Hugh Kenner<\/p>\n\n\n\n<p>Michael Yeats, \u201cYeats, the Family Man,\u201d&nbsp;<em>keynote address<\/em><\/p>\n\n\n\n<p><strong>Session Six<\/strong><\/p>\n\n\n\n<p>Chair: Desmond Egan<\/p>\n\n\n\n<p>Hugh Kenner, \u201cAt the Well of the Universe,\u201d&nbsp;<em>keynote address<\/em><\/p>\n\n\n\n<p><strong>Session Seven<\/strong><\/p>\n\n\n\n<p>Panel One<\/p>\n\n\n\n<p>Chair: Stephen J. Adams<\/p>\n\n\n\n<p>Demetres P. Tryphonopoulos, \u201cPound and Swedenborg\u201d<\/p>\n\n\n\n<p>Andrzej Sosnowski, \u201cSwedenborg, Pound and Imagism\u201d<\/p>\n\n\n\n<p>Leon Surette, \u201cYeats\u2019s Reading of Nietzsche\u201d<\/p>\n\n\n\n<p>Panel Two<\/p>\n\n\n\n<p>Chair: Peter Dale Scott<\/p>\n\n\n\n<p>Richard Londraville, \u201cThe Legacy of Stone Cottage\u201d<\/p>\n\n\n\n<p>Dean Rader, \u201cThe Delirium of the Brave: Yeats, Pound, and the Language of Revolution\u201d<\/p>\n\n\n\n<p>James Longenbach, \u201cStone Cottage Revisited\u201d<\/p>\n\n\n\n<p><strong>Session Eight<\/strong><\/p>\n\n\n\n<p>Chair: C.F. Terrell<\/p>\n\n\n\n<p>M.L. Rosenthal, \u201cThe Quality of Yeats,\u201d&nbsp;<em>keynote address<\/em><\/p>\n\n\n\n<p><strong>Session Nine<\/strong><\/p>\n\n\n\n<p>Panel One<\/p>\n\n\n\n<p>Chair: Stephen J. Adams<\/p>\n\n\n\n<p>Scott Hamilton, \u201cPound\u2019s Modernism Reconsidered: Pound, Yeats, and French Symbolism\u201d<\/p>\n\n\n\n<p>Peter Dale Scott, \u201cYeats and Pound: Cultural and Poetic Politics\u201d<\/p>\n\n\n\n<p>Myles Slatin, \u201c\u2018Lord by This Time He Stinketh\u2019: Lazarus and the Problem of Influences in Pound and Yeats\u201d<\/p>\n\n\n\n<p>Panel Two<\/p>\n\n\n\n<p>Chair: Hugh Witemeyer<\/p>\n\n\n\n<p>Walter Baumann, \u201cYeats and Ireland in&nbsp;<em>The Cantos<\/em>\u201d<\/p>\n\n\n\n<p>Rajiv C. Krishnan, \u201c\u2018Uncle William Dawdling Around Notre Dame\u2019: Pound\u2019s Vorticist Critique of Yeats\u201d<\/p>\n\n\n\n<p>Lea Baechler, \u201cRemember that I Have Remembered: Poetic Tributes to Pound in the Later Yeats\u201d<\/p>\n\n\n\n<p>Panel Three<\/p>\n\n\n\n<p>Chair: George Bornstein<\/p>\n\n\n\n<p>Dennis Ryan, \u201cThe Pound-Yeats Influence on Hemingway\u201d<\/p>\n\n\n\n<p>Rose Orlich, \u201cYeats\u2019s Use of Color: The Mist Clings to the Lacquer\u201d<\/p>\n\n\n\n<p>Vincent Sherry, \u201cYeats\u2019s Nineties and Pound\u2019s Twenties\u201d<\/p>\n\n\n\n<p><strong>Session Ten<\/strong><\/p>\n\n\n\n<p>Chair: Peter Dale Scott<\/p>\n\n\n\n<p>Poetry Reading Free-for-All<\/p>\n\n\n\n<p>TUESDAY, AUGUST 14<\/p>\n\n\n\n<p><strong>Session Eleven<\/strong><\/p>\n\n\n\n<p>Panel One<\/p>\n\n\n\n<p>Chair: Walter Baumann<\/p>\n\n\n\n<p>Bruce Campbell, \u201c\u2018The Differend\u2019 in&nbsp;<em>The Cantos<\/em>\u201d<\/p>\n\n\n\n<p>Gerry Dukes, \u201cYeats and All Our Ambiguities\u201d<\/p>\n\n\n\n<p>Russell Elliott Murphy, \u201cYeats and the Quest for Cosmopolis\u201d<\/p>\n\n\n\n<p>Panel Two<\/p>\n\n\n\n<p>Chair: Angela Elliott<\/p>\n\n\n\n<p>Tetsuo Arima, \u201cThe Influence of Haiku on Pound\u2019s Poetics\u201d<\/p>\n\n\n\n<p>Linda Ray Pratt, \u201cThe Clash of Reality: Yeats\u2019s Metaphoric Thinking\u201d<\/p>\n\n\n\n<p>Panel Three<\/p>\n\n\n\n<p>Chair: Myles Slatin<\/p>\n\n\n\n<p>Michael Coyle, \u201cThe Rhetoric of Profundity: Pound on Aesthetics and Cultural Change\u201d<\/p>\n\n\n\n<p>Tim Redman, \u201cPound and Fascism: The&nbsp;<em>New Age&nbsp;<\/em>Antecedents\u201d<\/p>\n\n\n\n<p>Stephen Sicari, \u201cPoetry and Politics in Pound and Yeats\u201d<\/p>\n\n\n\n<p><strong>Session Twelve<\/strong><\/p>\n\n\n\n<p>Chair: Carroll F. Terrell<\/p>\n\n\n\n<p>Mary de Rachewiltz, \u201cA Pilgrim to Erin Shrines,\u201d&nbsp;<em>keynote address<\/em><\/p>\n\n\n\n<p><strong>Session Thirteen<\/strong><\/p>\n\n\n\n<p>Chair: Ira B. Nadel<\/p>\n\n\n\n<p>Ronald Bush, \u201c\u2018Quiet Not Scornful?\u2019: The Composition of the&nbsp;<em>Pisan Cantos<\/em>,\u201d&nbsp;<em>keynote address<\/em><\/p>\n\n\n\n<p><strong>Session Fourteen<\/strong><\/p>\n\n\n\n<p>Discussion Group One<\/p>\n\n\n\n<p>Chair: Louis Martz<\/p>\n\n\n\n<p>Panel: Walter Baumann, Gerry Dukes, Russell Elliott Murphy, Michael Yeats<\/p>\n\n\n\n<p>Discussion Group Two<\/p>\n\n\n\n<p>Chair: Richard J. Finneran<\/p>\n\n\n\n<p>Panel: Peter Dale Scott, Hugh Kenner, Mary de Rachewiltz, Walter Sutton, C.F. Terrell<\/p>\n\n\n\n<p><strong>Session Fifteen<\/strong><\/p>\n\n\n\n<p>Irish Ballad Concert<\/p>\n\n\n\n<p>Desmond Egan, Sebastian Knowles, Nancy Ogle, Joseph Arsenault<\/p>\n\n\n\n<p><strong>Session Sixteen<\/strong><\/p>\n\n\n\n<p>Chair: M.L. Rosenthal<\/p>\n\n\n\n<p>Poetry Reading Free-for-All<\/p>\n\n\n\n<p>WEDNESDAY, AUGUST 15<\/p>\n\n\n\n<p><strong>Session Eighteen<\/strong><\/p>\n\n\n\n<p>Panel One<\/p>\n\n\n\n<p>Chair: Ronald Bush<\/p>\n\n\n\n<p>Maria Luisa Ardizzone, \u201cLING<sup>2<\/sup>: The Genealogy of Pound\u2019s Revolution in the Language of \u2018Rock-Drill\u2019\u201d<\/p>\n\n\n\n<p>Karen Foster, \u201cDecoding the Female in&nbsp;<em>The Only Jealousy of Emer<\/em>\u201d<\/p>\n\n\n\n<p>Kathleen Trevena, \u201cImmortal Passions in Mortal Clay: Yeats\u2019s Olivia and Maud\u201d<\/p>\n\n\n\n<p>Panel Two<\/p>\n\n\n\n<p>Chair: Peter Dale Scott<\/p>\n\n\n\n<p>David Holdeman, \u201cRevision and Closure in Yeats\u2019s&nbsp;<em>The Rose<\/em>\u201d<\/p>\n\n\n\n<p>Youngmin Kim, \u201cDiscovery of Open Form in Yeats and Pound\u201d<\/p>\n\n\n\n<p>David Roessel, \u201cThoughts of a Dry Brain in a Dry Season\u201d<\/p>\n\n\n\n<p>Panel Three<\/p>\n\n\n\n<p>Chair: Michael Coyle<\/p>\n\n\n\n<p>Desmond Egan, \u201cCuchulainn and Billy Brennan: Influences on Modern Irish Poetry\u201d<\/p>\n\n\n\n<p>Rachel V. Billigheimer, \u201cSymbolic Birds in Yeats\u2019s Vision of History\u201d<\/p>\n\n\n\n<p>Sebastian Knowles: Eating Little Red Riding Hood for Breakfast: Ezra Pound to Alice Steiner Amdur\u201d<\/p>\n\n\n\n<p><strong>Session Nineteen<\/strong><\/p>\n\n\n\n<p>Chair: Mary de Rachewiltz<\/p>\n\n\n\n<p>Louis Martz, \u201cFrom Reverie to Prophecy: Yeats and Pound,\u201d&nbsp;<em>keynote address<\/em><\/p>\n\n\n\n<p><strong>Session Twenty<\/strong><\/p>\n\n\n\n<p>Chair: Louis Martz<\/p>\n\n\n\n<p>Ira B. Nadel, \u201cLetters from \u2018The Foreign Correspondent\u2019\u201d<\/p>\n\n\n\n<p>Walter Sutton, \u201cEP as Foreign Agent and Critic of&nbsp;<em>The Dial<\/em>\u201d<\/p>\n\n\n\n<p><strong>Session Twenty-One<\/strong><\/p>\n\n\n\n<p>Chair: Carroll F. Terrell<\/p>\n\n\n\n<p>Ave and Salute<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Program SUNDAY, AUGUST 12 Session One Chair: Carroll F. Terrell Introduction of Distinguished Guests Session Two Chair: Akiko Miyake At the Hawk\u2019s Well, presented by Umewaka Troupe Pavilion Theatre Session Three Chair: Kathleen Lignell Poetry Reading Free-for-All MONDAY, AUGUST 13 Session Four Panel One Chair: Laura Cowan George Bornstein, \u201cRemembering Himself: Yeats\u2019s Construction of His [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-931","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>W. 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