{"id":620,"date":"2023-02-21T11:36:08","date_gmt":"2023-02-21T16:36:08","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=620"},"modified":"2024-10-08T14:46:40","modified_gmt":"2024-10-08T18:46:40","slug":"paideuma-44","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/paideuma-44\/","title":{"rendered":"Paideuma 44"},"content":{"rendered":"<style>.kb-row-layout-id620_9b1329-e2 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id620_9b1329-e2 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id620_9b1329-e2 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id620_9b1329-e2 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id620_9b1329-e2 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id620_9b1329-e2 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id620_9b1329-e2 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column620_2befd1-49 > .kt-inside-inner-col,.kadence-column620_2befd1-49 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column620_2befd1-49 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column620_2befd1-49 > .kt-inside-inner-col{flex-direction:column;}.kadence-column620_2befd1-49 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column620_2befd1-49 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column620_2befd1-49{position:relative;}@media all and (max-width: 1024px){.kadence-column620_2befd1-49 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column620_2befd1-49 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column620_2befd1-49\"><div class=\"kt-inside-inner-col\"><style>.kb-image620_ae959a-f6 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image620_ae959a-f6 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai44-1-681x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 44\" class=\"kb-img wp-image-470\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai44-1-681x1024.jpg 681w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai44-1-200x300.jpg 200w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai44-1-768x1155.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai44-1-1022x1536.jpg 1022w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai44-1-93x140.jpg 93w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai44-1-317x477.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai44-1-423x636.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai44-1-634x953.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai44-1-846x1272.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai44-1-951x1430.jpg 951w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai44-1.jpg 1184w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,681px\" \/><figcaption>Volume 44 \/ 2017<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column620_f8f708-fa > .kt-inside-inner-col,.kadence-column620_f8f708-fa > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column620_f8f708-fa > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column620_f8f708-fa > .kt-inside-inner-col{flex-direction:column;}.kadence-column620_f8f708-fa > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column620_f8f708-fa > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column620_f8f708-fa{position:relative;}@media all and (max-width: 1024px){.kadence-column620_f8f708-fa > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column620_f8f708-fa > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column620_f8f708-fa\"><div class=\"kt-inside-inner-col\">\n<p><strong>Symposium<\/strong><\/p>\n\n\n\n<p>\u201cIn what sense does the work to which you are committed share in the renovation of society?\u201d<\/p>\n\n\n\n<p>Rachel Tzvia Back, \u201cPoetry in the 21st Century and Radical Faith\u201d<\/p>\n\n\n\n<p>Sarah Barnsley<\/p>\n\n\n\n<p>Allison Cobb<\/p>\n\n\n\n<p>Commune Editions<\/p>\n\n\n\n<p>Maria Damon, \u201cPotential Gristlies\u201d<\/p>\n\n\n\n<p>Rachel Blau DuPlessis, \u201cSocial Renovation and Cultural Work, an Essay for Paideuma\u201d<\/p>\n\n\n\n<p>Norman Finkelstein, \u201cAffective Dissonance: Reflections on My Work in a Time of Crisis\u201d<\/p>\n\n\n\n<p>Alan Golding, \u201cReading, the Academy, and the \u2018Soft\u2019 Avant-Garde: Tan Lin\u2019s Heath and Heath Course Pak\u201d<\/p>\n\n\n\n<p>Michael Heller, \u201c\u2018In What Sense\u2026&#8217;\u201d<\/p>\n\n\n\n<p>David Herd, \u201cResponse to Paideuma\u201d<\/p>\n\n\n\n<p>Laura Hinton, \u201cPolitical Poetics and Love\u201d<\/p>\n\n\n\n<p>Linda A. Kinnahan<\/p>\n\n\n\n<p>Ann Lauterbach, \u201cCounting the Ways\u201d<\/p>\n\n\n\n<p>Philip Metres, \u201cThe Poem\u2019s Future\u201d<\/p>\n\n\n\n<p>Malgorzata Myk, \u201c(Mis)Crossing Threads\u201d<\/p>\n\n\n\n<p>A. L. Nielsen, \u201cState\/meant 2017\u201d<\/p>\n\n\n\n<p>Jean-Michel Rabat\u00e9<\/p>\n\n\n\n<p>Dale Smith, \u201cA Note on Companionship, Division, and Poetry\u201d<\/p>\n\n\n\n<p>Askia M. Tour\u00e9<\/p>\n\n\n\n<p>David Trinidad, \u201cOne Reader\u201d<\/p>\n\n\n\n<p>Keith Tuma<\/p>\n\n\n\n<p>Ann Vickery<\/p>\n\n\n\n<p>Fred Wah, \u201cFor Paideuma\u201d<\/p>\n\n\n\n<p>Jerome McGann, \u201cIndian Treaties and American Exceptionalism: Prolegomena to a Study of American Ideology\u201d<\/p>\n\n\n\n<p><strong>Other Essays<\/strong><\/p>\n\n\n\n<p>John Beall, \u201cPound, Hemingway, and the Inquest Series\u201d<\/p>\n\n\n\n<p>Julie Goodspeed-Chadwick, \u201cIdentity Politics, Modernist Aesthetics, and Modernist Abstraction in H.D.\u2019s Helen in Egypt\u201d<\/p>\n\n\n\n<p>Margaret Konkol, \u201c\u2018That Irate Pornographist\u2019: Gender and Nature in Mina Loy\u2019s \u2018Songs to Joannes&#8217;\u201d<\/p>\n\n\n\n<p>Mark Byers, \u201cMoving Metres: Hilda Morley and Gestural Abstraction\u201d<\/p>\n\n\n\n<p><strong>Notes on Contributors<\/strong><\/p>\n\n\n\n<p>Cover: Mercedes Matter, Landscape verso Abstraction (ca. 1928). Oil on board, 15 x 18.25 inches. Courtesy Mark Borghi Fine Art, New York.<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Symposium \u201cIn what sense does the work to which you are committed share in the renovation of society?\u201d Rachel Tzvia Back, \u201cPoetry in the 21st Century and Radical Faith\u201d Sarah Barnsley Allison Cobb Commune Editions Maria Damon, \u201cPotential Gristlies\u201d Rachel Blau DuPlessis, \u201cSocial Renovation and Cultural Work, an Essay for Paideuma\u201d Norman Finkelstein, \u201cAffective Dissonance: [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-620","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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