{"id":1179,"date":"2023-04-13T15:20:38","date_gmt":"2023-04-13T19:20:38","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=1179"},"modified":"2024-10-09T12:26:01","modified_gmt":"2024-10-09T16:26:01","slug":"volume-6-1","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-6-1\/","title":{"rendered":"Paideuma 6.1"},"content":{"rendered":"<style>.kb-row-layout-id1179_1906c0-69 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1179_1906c0-69 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1179_1906c0-69 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1179_1906c0-69 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1179_1906c0-69 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1179_1906c0-69 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1179_1906c0-69 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1179_290014-09 > .kt-inside-inner-col,.kadence-column1179_290014-09 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1179_290014-09 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1179_290014-09 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1179_290014-09 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1179_290014-09 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1179_290014-09{position:relative;}@media all and (max-width: 1024px){.kadence-column1179_290014-09 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1179_290014-09 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1179_290014-09\"><div class=\"kt-inside-inner-col\"><style>.kb-image1179_c7505f-83 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image1179_c7505f-83 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"677\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-677x1024.jpg\" alt=\"Thumbnail for cover of Paideuma volume 6.1\" class=\"kb-img wp-image-707\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-677x1024.jpg 677w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-198x300.jpg 198w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-768x1161.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-1016x1536.jpg 1016w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-1355x2048.jpg 1355w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-93x140.jpg 93w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-317x479.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-423x639.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-634x958.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-846x1279.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-951x1438.jpg 951w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-1268x1917.jpg 1268w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/unnamed-scaled.jpg 1694w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,677px\" \/><figcaption>Volume 6.1 \/ 1977<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1179_649c3f-e9 > .kt-inside-inner-col,.kadence-column1179_649c3f-e9 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1179_649c3f-e9 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1179_649c3f-e9 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1179_649c3f-e9 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1179_649c3f-e9 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1179_649c3f-e9{position:relative;}@media all and (max-width: 1024px){.kadence-column1179_649c3f-e9 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1179_649c3f-e9 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1179_649c3f-e9\"><div class=\"kt-inside-inner-col\">\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>M. L. Rosenthal, \u201cThe Structuring of Pound\u2019s Cantos\u201d<\/p>\n\n\n\n<p>Max N\u00e4nny, \u201cOral Dimensions in Ezra Pound\u201d<\/p>\n\n\n\n<p>Woon-Ping Chin Holaday, \u201cPound and Binyon: China via the British Museum\u201d<\/p>\n\n\n\n<p><strong>The Explicator<\/strong><\/p>\n\n\n\n<p>John Espey, \u201cA Note on \u2018Nils Lykke&#8217;\u201d<\/p>\n\n\n\n<p>David M. Gordon, \u201cNotes and Observations\u201d<\/p>\n\n\n\n<p><strong>The Documentary<\/strong><\/p>\n\n\n\n<p>John J. Nolde, \u201cThe Sources for Canto LIV: Part Two\u201d<\/p>\n\n\n\n<p><strong>The Vortex<\/strong><\/p>\n\n\n\n<p>Donald Davie, \u201cSicily in the Cantos\u201d<\/p>\n\n\n\n<p>Leon Surette, \u201cA Case for Occam\u2019s Razor: Pound and Spengler\u201d<\/p>\n\n\n\n<p>Margaret Bates, \u201cEP: Maker of Connections\u201d<\/p>\n\n\n\n<p>\u2022<\/p>\n\n\n\n<p>The cover features a design by Arline Thomson based on a funerary pottery figurine from a T\u2019ang workshop.<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Periplum M. L. Rosenthal, \u201cThe Structuring of Pound\u2019s Cantos\u201d Max N\u00e4nny, \u201cOral Dimensions in Ezra Pound\u201d Woon-Ping Chin Holaday, \u201cPound and Binyon: China via the British Museum\u201d The Explicator John Espey, \u201cA Note on \u2018Nils Lykke&#8217;\u201d David M. Gordon, \u201cNotes and Observations\u201d The Documentary John J. Nolde, \u201cThe Sources for Canto LIV: Part Two\u201d [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1179","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Paideuma 6.1 - The Center for Poetry and Poetics - University of Maine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/volume-6-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paideuma 6.1 - The Center for Poetry and Poetics - University of Maine\" \/>\n<meta property=\"og:description\" content=\"The Periplum M. L. Rosenthal, \u201cThe Structuring of Pound\u2019s Cantos\u201d Max N\u00e4nny, \u201cOral Dimensions in Ezra Pound\u201d Woon-Ping Chin Holaday, \u201cPound and Binyon: China via the British Museum\u201d The Explicator John Espey, \u201cA Note on \u2018Nils Lykke&#8217;\u201d David M. Gordon, \u201cNotes and Observations\u201d The Documentary John J. 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