{"id":1167,"date":"2023-04-13T15:14:06","date_gmt":"2023-04-13T19:14:06","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=1167"},"modified":"2024-10-09T12:15:55","modified_gmt":"2024-10-09T16:15:55","slug":"volume-8-2","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-8-2\/","title":{"rendered":"Paideuma 8.2"},"content":{"rendered":"<style>.kb-row-layout-id1167_f4dea5-f0 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1167_f4dea5-f0 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1167_f4dea5-f0 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1167_f4dea5-f0 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1167_f4dea5-f0 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1167_f4dea5-f0 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1167_f4dea5-f0 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1167_de3542-c1 > .kt-inside-inner-col,.kadence-column1167_de3542-c1 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1167_de3542-c1 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1167_de3542-c1 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1167_de3542-c1 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1167_de3542-c1 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1167_de3542-c1{position:relative;}@media all and (max-width: 1024px){.kadence-column1167_de3542-c1 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1167_de3542-c1 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1167_de3542-c1\"><div class=\"kt-inside-inner-col\"><style>.kb-image1167_22605c-1e .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image1167_22605c-1e size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-2-681x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 8.2\" class=\"kb-img wp-image-403\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-2-681x1024.jpg 681w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-2-200x300.jpg 200w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-2-768x1154.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-2-93x140.jpg 93w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-2-317x476.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-2-423x636.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-2-634x953.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-2-846x1271.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-2.jpg 883w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,681px\" \/><figcaption>Volume 8.2 \/ 1979<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1167_56f2b4-ce > .kt-inside-inner-col,.kadence-column1167_56f2b4-ce > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1167_56f2b4-ce > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1167_56f2b4-ce > .kt-inside-inner-col{flex-direction:column;}.kadence-column1167_56f2b4-ce > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1167_56f2b4-ce > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1167_56f2b4-ce{position:relative;}@media all and (max-width: 1024px){.kadence-column1167_56f2b4-ce > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1167_56f2b4-ce > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1167_56f2b4-ce\"><div class=\"kt-inside-inner-col\">\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>Nobuko Tsuki Keith, \u201c<em>Aoi No Ue<\/em>&nbsp;and&nbsp;<em>Kinuta<\/em>: An Examination of Ezra Pound\u2019s Translations\u201d<\/p>\n\n\n\n<p>David Anderson, \u201cThe Techniques of Critical Translation: Ezra Pound\u2019s Guido Cavalcanti, 1912\u201d<\/p>\n\n\n\n<p><strong>The Explicator<\/strong><\/p>\n\n\n\n<p>Hugh Witemeyer, \u201cPound and the&nbsp;<em>Cantos&nbsp;<\/em>\u2018Ply over Ply&#8217;\u201d<\/p>\n\n\n\n<p>Ian F. A. Bell, \u201cPound, Emerson and \u2018Subject-Rhyme&#8217;\u201d<\/p>\n\n\n\n<p><strong>The Biographer<\/strong><\/p>\n\n\n\n<p>Ezra Pound, \u201cThe Poet Speaks\u201d<\/p>\n\n\n\n<p>Francis J. Bosha, \u201cFaulkner, Pound, and the P.P.P.\u201d<\/p>\n\n\n\n<p>Ilse Engel, \u201cStory of a Meeting with Ezra Pound\u201d<\/p>\n\n\n\n<p><strong>The Documentary<\/strong><\/p>\n\n\n\n<p>John J. Nolde, \u201cThe Sources for Chinese Dynastic Canto LVI\u201d<\/p>\n\n\n\n<p>Eva Hesse, \u201cMythopoi\u00f3s\u201d<\/p>\n\n\n\n<p>John Espey, \u201cSidelights from the Italian and German Cantos\u201d<\/p>\n\n\n\n<p><strong>The Bibliographer<\/strong><\/p>\n\n\n\n<p>George Rooks, \u201cAn Annotated Checklist on Ezra Pound, 1976\u201d<\/p>\n\n\n\n<p>Kay Davis, \u201cAn index to Canto References in&nbsp;<em>Paideuma<\/em>\u201c<\/p>\n\n\n\n<p><strong>The Vortex<\/strong><\/p>\n\n\n\n<p>P.H. Smith and A. E. Durant, \u201cPound\u2019s Metonymy: Revisiting Canto 47\u201d<\/p>\n\n\n\n<p>Guy Davenport, \u201cThe Real Lucifer\u201d<\/p>\n\n\n\n<p>C. F. Terrell, \u201cDurham &amp; Pound Conferences\u201d<\/p>\n\n\n\n<p><strong>The Gallery<\/strong><\/p>\n\n\n\n<p>Pictures at Durham Conference Taken by H. Witemeyer<\/p>\n\n\n\n<p>Pictures at Durham Conference Taken by Hugh Kenner<\/p>\n\n\n\n<p><strong>The Reviewer<\/strong><\/p>\n\n\n\n<p>Timothy Materer (Omar Pound and Philip Grover,&nbsp;<em>Wyndham Lewis, a Descriptive Bibliography<\/em>; and Bradford Morrow and Bernard Lafourcade,&nbsp;<em>A Bibliography of the Writings of Wyndham Lewis<\/em>)<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Periplum Nobuko Tsuki Keith, \u201cAoi No Ue&nbsp;and&nbsp;Kinuta: An Examination of Ezra Pound\u2019s Translations\u201d David Anderson, \u201cThe Techniques of Critical Translation: Ezra Pound\u2019s Guido Cavalcanti, 1912\u201d The Explicator Hugh Witemeyer, \u201cPound and the&nbsp;Cantos&nbsp;\u2018Ply over Ply&#8217;\u201d Ian F. A. Bell, \u201cPound, Emerson and \u2018Subject-Rhyme&#8217;\u201d The Biographer Ezra Pound, \u201cThe Poet Speaks\u201d Francis J. Bosha, \u201cFaulkner, Pound, [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1167","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Paideuma 8.2 - The Center for Poetry and Poetics - University of Maine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/volume-8-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paideuma 8.2 - The Center for Poetry and Poetics - University of Maine\" \/>\n<meta property=\"og:description\" content=\"The Periplum Nobuko Tsuki Keith, \u201cAoi No Ue&nbsp;and&nbsp;Kinuta: An Examination of Ezra Pound\u2019s Translations\u201d David Anderson, \u201cThe Techniques of Critical Translation: Ezra Pound\u2019s Guido Cavalcanti, 1912\u201d The Explicator Hugh Witemeyer, \u201cPound and the&nbsp;Cantos&nbsp;\u2018Ply over Ply&#8217;\u201d Ian F. 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