  {"id":1165,"date":"2023-04-13T15:13:02","date_gmt":"2023-04-13T19:13:02","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=1165"},"modified":"2024-10-09T12:14:46","modified_gmt":"2024-10-09T16:14:46","slug":"volume-8-3","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-8-3\/","title":{"rendered":"Paideuma 8.3"},"content":{"rendered":"<style>.kb-row-layout-id1165_c077e8-f1 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1165_c077e8-f1 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1165_c077e8-f1 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1165_c077e8-f1 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1165_c077e8-f1 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1165_c077e8-f1 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1165_c077e8-f1 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1165_32a6a0-63 > .kt-inside-inner-col,.kadence-column1165_32a6a0-63 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1165_32a6a0-63 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1165_32a6a0-63 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1165_32a6a0-63 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1165_32a6a0-63 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1165_32a6a0-63{position:relative;}@media all and (max-width: 1024px){.kadence-column1165_32a6a0-63 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1165_32a6a0-63 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1165_32a6a0-63\"><div class=\"kt-inside-inner-col\"><style>.kb-image1165_6c4ad1-37 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image1165_6c4ad1-37 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3-681x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 8.3\" class=\"kb-img wp-image-404\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3-681x1024.jpg 681w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3-200x300.jpg 200w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3-768x1154.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3-93x140.jpg 93w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3-317x476.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3-423x636.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3-634x953.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3-846x1271.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3.jpg 883w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,681px\" \/><figcaption>Volume 8.3 \/ 1979<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1165_67814d-0d > .kt-inside-inner-col,.kadence-column1165_67814d-0d > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1165_67814d-0d > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1165_67814d-0d > .kt-inside-inner-col{flex-direction:column;}.kadence-column1165_67814d-0d > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1165_67814d-0d > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1165_67814d-0d{position:relative;}@media all and (max-width: 1024px){.kadence-column1165_67814d-0d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1165_67814d-0d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1165_67814d-0d\"><div class=\"kt-inside-inner-col\">\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>Max N\u00e4nny, \u201cThe Oral Roots of Ezra Pound\u2019s Methods of Quotation and Abbreviation\u201d<\/p>\n\n\n\n<p>Kevin M. Oderman, \u201cThe Servants of Amor in Pound\u2019s Early Poems\u201d<\/p>\n\n\n\n<p><strong>The Explicator<\/strong><\/p>\n\n\n\n<p>Eva Hesse, \u201cThe Problem of&nbsp;<em>mo&nbsp;<\/em>in Canto LXXIV\u201d<\/p>\n\n\n\n<p>Franz H. Link, \u201cPound\u2019s \u2018A Girl\u2019 and Ovid\u2019s&nbsp;<em>Metamorphoses<\/em>, I, 547-555\u2033<\/p>\n\n\n\n<p>Richard Law, \u201cThe Seventh Canto Initial\u201d<\/p>\n\n\n\n<p>Peter Davidson, \u201cHeracles &amp;&nbsp;<em>m\u2019la calata<\/em>\u201c<\/p>\n\n\n\n<p>Barbara Eastman, \u201cThe Gap in&nbsp;<em>The Cantos<\/em>: 72 and 73\u2033<\/p>\n\n\n\n<p><strong>The Biographer<\/strong><\/p>\n\n\n\n<p>Romano Bilenchi, \u201cRapallo, 1941\u201d (translated, with notes and an introduction, by David Anderson)<\/p>\n\n\n\n<p>Enrico Pea, \u201cThank You, Ezra Pound\u201d (translated, with notes and an introduction, by David Anderson)<\/p>\n\n\n\n<p>Tim Redman, \u201cThe Repatriation of Pound, 1939-1942: A View from the Archives\u201d<\/p>\n\n\n\n<p><strong>The Documentary<\/strong><\/p>\n\n\n\n<p>Ezra Pound, \u201cLetters to John Buchan, 1934-1935\u201d (edited by S. Namjoshi)<\/p>\n\n\n\n<p>John J. Nolde, \u201cThe Sources for Chinese Dynastic Canto LVI: Part Two\u201d<\/p>\n\n\n\n<p>Ben Kimpel and T. C. Duncan Eaves, \u201cPound\u2019s Use of Sienese Manuscripts for Cantos XLII and XLIII\u201d<\/p>\n\n\n\n<p><strong>The Bibliographer<\/strong><\/p>\n\n\n\n<p>Andrew Crosland, \u201cAnnotated Checklist of Criticism on Ezra Pound, 1961-1965: Part I\u201d<\/p>\n\n\n\n<p><strong>The Vortex<\/strong><\/p>\n\n\n\n<p>C. T. Thomas, \u201cLink\u2019s \u2018Honey-comb\u2019: A Rejoinder\u201d<\/p>\n\n\n\n<p>Michael Andr\u00e9 Bernstein, \u201cMythos and Logos in Ezra Pound: The Splitting of the Realms\u201d<\/p>\n\n\n\n<p>Stephen Paul Ellis, \u201cDante in Pound\u2019s Early Career\u201d<\/p>\n\n\n\n<p>David Holloway, \u201cReport on the Pound Conference, Durham, 1979\u201d<\/p>\n\n\n\n<p><strong>The Reviewer<\/strong><\/p>\n\n\n\n<p>Walter Baumann (Eva Hesse,&nbsp;<em>Ezra Pound: Von Sinn und Wahnsinn<\/em>)<\/p>\n\n\n\n<p>\u2022<\/p>\n\n\n\n<p>This cover shows medieval coins from the twelfth and thirteenth centuries. This image is found in&nbsp;<em>The Beauty and Lore of Coins<\/em>&nbsp;by Elvira and Vladimir Clain-Stefanelli. We are indebted to Riverwood Publishers Ltd. for permission to use this photograph.<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Periplum Max N\u00e4nny, \u201cThe Oral Roots of Ezra Pound\u2019s Methods of Quotation and Abbreviation\u201d Kevin M. Oderman, \u201cThe Servants of Amor in Pound\u2019s Early Poems\u201d The Explicator Eva Hesse, \u201cThe Problem of&nbsp;mo&nbsp;in Canto LXXIV\u201d Franz H. Link, \u201cPound\u2019s \u2018A Girl\u2019 and Ovid\u2019s&nbsp;Metamorphoses, I, 547-555\u2033 Richard Law, \u201cThe Seventh Canto Initial\u201d Peter Davidson, \u201cHeracles &amp;&nbsp;m\u2019la [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1165","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Paideuma 8.3 - The Center for Poetry and Poetics - University of Maine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/volume-8-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paideuma 8.3 - The Center for Poetry and Poetics - University of Maine\" \/>\n<meta property=\"og:description\" content=\"The Periplum Max N\u00e4nny, \u201cThe Oral Roots of Ezra Pound\u2019s Methods of Quotation and Abbreviation\u201d Kevin M. Oderman, \u201cThe Servants of Amor in Pound\u2019s Early Poems\u201d The Explicator Eva Hesse, \u201cThe Problem of&nbsp;mo&nbsp;in Canto LXXIV\u201d Franz H. Link, \u201cPound\u2019s \u2018A Girl\u2019 and Ovid\u2019s&nbsp;Metamorphoses, I, 547-555\u2033 Richard Law, \u201cThe Seventh Canto Initial\u201d Peter Davidson, \u201cHeracles &amp;&nbsp;m\u2019la [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/umaine.edu\/poetry\/volume-8-3\/\" \/>\n<meta property=\"og:site_name\" content=\"The Center for Poetry and Poetics\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-09T16:14:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3-681x1024.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/umaine.edu\/poetry\/volume-8-3\/\",\"url\":\"https:\/\/umaine.edu\/poetry\/volume-8-3\/\",\"name\":\"Paideuma 8.3 - The Center for Poetry and Poetics - University of Maine\",\"isPartOf\":{\"@id\":\"https:\/\/umaine.edu\/poetry\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/umaine.edu\/poetry\/volume-8-3\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/umaine.edu\/poetry\/volume-8-3\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3-681x1024.jpg\",\"datePublished\":\"2023-04-13T19:13:02+00:00\",\"dateModified\":\"2024-10-09T16:14:46+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/umaine.edu\/poetry\/volume-8-3\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/umaine.edu\/poetry\/volume-8-3\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/umaine.edu\/poetry\/volume-8-3\/#primaryimage\",\"url\":\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3.jpg\",\"contentUrl\":\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-8-3.jpg\",\"width\":883,\"height\":1327,\"caption\":\"Volume 8.3 \/ 1979\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/umaine.edu\/poetry\/volume-8-3\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/umaine.edu\/poetry\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Paideuma 8.3\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/umaine.edu\/poetry\/#website\",\"url\":\"https:\/\/umaine.edu\/poetry\/\",\"name\":\"The Center for Poetry and Poetics\",\"description\":\"Formerly the National Poetry Foundation\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/umaine.edu\/poetry\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Paideuma 8.3 - The Center for Poetry and Poetics - University of Maine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/umaine.edu\/poetry\/volume-8-3\/","og_locale":"en_US","og_type":"article","og_title":"Paideuma 8.3 - The Center for Poetry and Poetics - University of Maine","og_description":"The Periplum Max N\u00e4nny, \u201cThe Oral Roots of Ezra Pound\u2019s Methods of Quotation and Abbreviation\u201d Kevin M. 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