{"id":1074,"date":"2023-04-11T17:40:14","date_gmt":"2023-04-11T21:40:14","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=1074"},"modified":"2024-10-08T16:08:59","modified_gmt":"2024-10-08T20:08:59","slug":"volume-16-1-2","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-16-1-2\/","title":{"rendered":"Paideuma 16.1-2"},"content":{"rendered":"<style>.kb-row-layout-id1074_b882c0-3e > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1074_b882c0-3e > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1074_b882c0-3e > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1074_b882c0-3e > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1074_b882c0-3e > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1074_b882c0-3e > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1074_b882c0-3e alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1074_6617d2-40 > .kt-inside-inner-col,.kadence-column1074_6617d2-40 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1074_6617d2-40 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1074_6617d2-40 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1074_6617d2-40 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1074_6617d2-40 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1074_6617d2-40{position:relative;}@media all and (max-width: 1024px){.kadence-column1074_6617d2-40 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1074_6617d2-40 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1074_6617d2-40\"><div class=\"kt-inside-inner-col\"><style>.kb-image1074_6b7952-3b .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image1074_6b7952-3b size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"669\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-16-1-2-669x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 16.1-2\" class=\"kb-img wp-image-423\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-16-1-2-669x1024.jpg 669w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-16-1-2-196x300.jpg 196w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-16-1-2-768x1175.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-16-1-2-92x140.jpg 92w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-16-1-2-317x485.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-16-1-2-423x647.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-16-1-2-634x970.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-16-1-2-846x1294.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-16-1-2.jpg 866w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,669px\" \/><figcaption>Volume 16.1-2 \/ 1987<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1074_13b8ba-ce > .kt-inside-inner-col,.kadence-column1074_13b8ba-ce > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1074_13b8ba-ce > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1074_13b8ba-ce > .kt-inside-inner-col{flex-direction:column;}.kadence-column1074_13b8ba-ce > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1074_13b8ba-ce > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1074_13b8ba-ce{position:relative;}@media all and (max-width: 1024px){.kadence-column1074_13b8ba-ce > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1074_13b8ba-ce > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1074_13b8ba-ce\"><div class=\"kt-inside-inner-col\">\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>Edith Sarra, \u201cWhistling in the Bughouse: Notes on the Process of Pound\u2019s Confucian Odes\u201d<\/p>\n\n\n\n<p>Ann Massa, \u201cEzra Pound to Harriet Monroe: Two Unpublished Letters\u201d<\/p>\n\n\n\n<p>Bruce Fogelman, \u201cPound\u2019s \u2018Cathay\u2019: A Structural Model for&nbsp;<em>The Cantos<\/em>\u201c<\/p>\n\n\n\n<p>Thomas Willard, \u201cJohn Heydon\u2019s Visions: \u2018Pretty\u2019 or \u2018Polluted\u2019?\u201d<\/p>\n\n\n\n<p><strong>The Explicator<\/strong><\/p>\n\n\n\n<p>Jaime Garcia Terres, \u201cClock of Athens\u201d<\/p>\n\n\n\n<p>Barry Ahearn, \u201cAn Early Schema for&nbsp;<em>The Cantos<\/em>\u201c<\/p>\n\n\n\n<p>Omar S. Pound, \u201cCanto 77: \u2018Rebel Rose&#8217;\u201d<\/p>\n\n\n\n<p>Petr Mike\u0161, \u201cThe Pound Number of&nbsp;<em>Literature Na Swiecie<\/em>\u201c<\/p>\n\n\n\n<p><strong>The Bibliographer<\/strong><\/p>\n\n\n\n<p>Joseph Brogunier, \u201cAn Annotated Bibliography of Works about Ezra Pound: 1980-1984\u201d<\/p>\n\n\n\n<p><strong>The Reviewer<\/strong><\/p>\n\n\n\n<p>Ron Thomas (<em>Ezra Pound Among the Poets<\/em>, ed. George Bornstein)<\/p>\n\n\n\n<p>John C. Hirsh (Ron Thomas,&nbsp;<em>The Latin Masks of Ezra Pound<\/em>)<\/p>\n\n\n\n<p>\u2022<\/p>\n\n\n\n<p>This vivacious lithograph of Ezra Pound was done by George Biddle in Rome in 1932. It was loaned to us by Quentin Keynes. From Biddle\u2019s diary entry of July 23, 1948: \u201cI first met Pound in Paris in 1924\u2026 When I next met him in Rome in 1932\u2026I did a lithograph of him at his hotel,&nbsp;<em>drawing directly on the stone\u2026<\/em>\u201c<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Periplum Edith Sarra, \u201cWhistling in the Bughouse: Notes on the Process of Pound\u2019s Confucian Odes\u201d Ann Massa, \u201cEzra Pound to Harriet Monroe: Two Unpublished Letters\u201d Bruce Fogelman, \u201cPound\u2019s \u2018Cathay\u2019: A Structural Model for&nbsp;The Cantos\u201c Thomas Willard, \u201cJohn Heydon\u2019s Visions: \u2018Pretty\u2019 or \u2018Polluted\u2019?\u201d The Explicator Jaime Garcia Terres, \u201cClock of Athens\u201d Barry Ahearn, \u201cAn Early [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1074","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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