{"id":1044,"date":"2023-04-11T17:27:48","date_gmt":"2023-04-11T21:27:48","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=1044"},"modified":"2024-10-08T15:57:50","modified_gmt":"2024-10-08T19:57:50","slug":"volume-21-1-2","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-21-1-2\/","title":{"rendered":"Paideuma 21.1-2"},"content":{"rendered":"<style>.kb-row-layout-id1044_a44bb0-94 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1044_a44bb0-94 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1044_a44bb0-94 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1044_a44bb0-94 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1044_a44bb0-94 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1044_a44bb0-94 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1044_a44bb0-94 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1044_4b8e85-d1 > .kt-inside-inner-col,.kadence-column1044_4b8e85-d1 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1044_4b8e85-d1 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1044_4b8e85-d1 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1044_4b8e85-d1 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1044_4b8e85-d1 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1044_4b8e85-d1{position:relative;}@media all and (max-width: 1024px){.kadence-column1044_4b8e85-d1 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1044_4b8e85-d1 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1044_4b8e85-d1\"><div class=\"kt-inside-inner-col\"><style>.kb-image1044_09cbed-23 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image1044_09cbed-23 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"701\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-21-1-2-701x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 21.1-2\" class=\"kb-img wp-image-433\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-21-1-2-701x1024.jpg 701w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-21-1-2-205x300.jpg 205w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-21-1-2-768x1123.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-21-1-2-96x140.jpg 96w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-21-1-2-317x463.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-21-1-2-423x618.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-21-1-2-634x927.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-21-1-2-846x1237.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-21-1-2.jpg 890w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,701px\" \/><figcaption>Volume 21.1-2 \/ 1992<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1044_9e5288-21 > .kt-inside-inner-col,.kadence-column1044_9e5288-21 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1044_9e5288-21 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1044_9e5288-21 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1044_9e5288-21 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1044_9e5288-21 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1044_9e5288-21{position:relative;}@media all and (max-width: 1024px){.kadence-column1044_9e5288-21 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1044_9e5288-21 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1044_9e5288-21\"><div class=\"kt-inside-inner-col\">\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>Walter Baumann, \u201cYeats and Ireland in&nbsp;<em>The Cantos<\/em>\u201c<\/p>\n\n\n\n<p>Paul Skinner, \u201cPounding, Hoofing, Kipling: Attitudes to Rudyard Kipling in the Writings of Ezra Pound and Ford Madox Ford\u201d<\/p>\n\n\n\n<p>Tim Dean, \u201cHow Long Is the Pound Era?\u201d<\/p>\n\n\n\n<p>Marinelle Ringer, \u201cThe Rhythmic Structure of Pound\u2019s Canto IV\u201d<\/p>\n\n\n\n<p>Norman Wacker, \u201cThe Subject Repositioned \/ The Subject Repossessed: Authority and the Ethos of Performance in&nbsp;<em>The Pisan Cantos<\/em>\u201c<\/p>\n\n\n\n<p>Steven Yao, \u201c\u2018And With You Especially, There Was Nothing at Cross-Purpose\u2019: Pound\u2019s Treatment of Women in&nbsp;<em>Cathay<\/em>\u201c<\/p>\n\n\n\n<p>Maria Luisa Ardizzione, \u201cPound\u2019s Language in Rock-Drill, Two Theses for a Genealogy\u201d<\/p>\n\n\n\n<p><strong>The Explicator<\/strong><\/p>\n\n\n\n<p>Elizabeth Bruce, \u201cEmpedocles\u2019s Golden Age of Aphrodite in Pound\u2019s Later Cantos\u201d<\/p>\n\n\n\n<p>K. Narayana Chandran, \u201cEzra Pound\u2019s \u2018Meitatio\u2019: Two Notes\u201d<\/p>\n\n\n\n<p>Songping Jin, \u201c\u2018The Coral Face,\u2019 \u2018The Tree of the Visages\u2019 and the Cherry Tree\u201d<\/p>\n\n\n\n<p>Sylvan Esh, \u201c\u2018In a Station\u2019: Provence, London\u201d<\/p>\n\n\n\n<p>Jyan-Lung Lin, \u201cPound\u2019s \u2018In a station of the Metro\u2019 as a Yugen Haiku\u201d<\/p>\n\n\n\n<p>Richard R. O\u2019Keefe, \u201cImpingement: The End of Pound\u2019s&nbsp;<em>Canto LXXX<\/em>\u201c<\/p>\n\n\n\n<p>David Gordon, \u201cThe Golden Caesura (2)\u201d<\/p>\n\n\n\n<p><strong>Documentary<\/strong><\/p>\n\n\n\n<p>Lawrence S. Rainey, \u201cA Poem Including History [facsimile reprint]\u201d<\/p>\n\n\n\n<p>Ira B. Nadel, \u201cThe Cantos of Ezra Pound . . . . . . A Poem Including History: A Checklist of Items on Exhibit at the Beinecke Rare Book &amp; Manuscript Library 20 October-22 December 1989\u201d<\/p>\n\n\n\n<p>Sebastian D. G. Knowles, \u201cEzra Pound to Alice Steiner Amdur, 23 January 1937\u201d<\/p>\n\n\n\n<p>Archie Henderson, \u201cAddenda to \u2018Pound Centennial Events: A Checklist&#8217;\u201d<\/p>\n\n\n\n<p><strong>The Reviewer<\/strong><\/p>\n\n\n\n<p>Laura Cowan (James Longenbach,&nbsp;<em>Stone Cottage: Pound, Yeats, and Modernism<\/em>)<\/p>\n\n\n\n<p>Cover: Japanese Tea Garden, Botanical Garden, Denver, Colorado. Photograph by Marie Alpert.<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Periplum Walter Baumann, \u201cYeats and Ireland in&nbsp;The Cantos\u201c Paul Skinner, \u201cPounding, Hoofing, Kipling: Attitudes to Rudyard Kipling in the Writings of Ezra Pound and Ford Madox Ford\u201d Tim Dean, \u201cHow Long Is the Pound Era?\u201d Marinelle Ringer, \u201cThe Rhythmic Structure of Pound\u2019s Canto IV\u201d Norman Wacker, \u201cThe Subject Repositioned \/ The Subject Repossessed: Authority [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1044","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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