{"id":1038,"date":"2023-04-11T17:25:42","date_gmt":"2023-04-11T21:25:42","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=1038"},"modified":"2024-10-08T15:55:42","modified_gmt":"2024-10-08T19:55:42","slug":"volume-22-1-2","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-22-1-2\/","title":{"rendered":"Paideuma 22.1-2"},"content":{"rendered":"<style>.kb-row-layout-id1038_bb32dc-3b > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1038_bb32dc-3b > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1038_bb32dc-3b > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1038_bb32dc-3b > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1038_bb32dc-3b > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1038_bb32dc-3b > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1038_bb32dc-3b alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1038_7b8f58-f5 > .kt-inside-inner-col,.kadence-column1038_7b8f58-f5 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1038_7b8f58-f5 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1038_7b8f58-f5 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1038_7b8f58-f5 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1038_7b8f58-f5 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1038_7b8f58-f5{position:relative;}@media all and (max-width: 1024px){.kadence-column1038_7b8f58-f5 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1038_7b8f58-f5 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1038_7b8f58-f5\"><div class=\"kt-inside-inner-col\"><style>.kb-image1038_57b04d-c2 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image1038_57b04d-c2 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-22-1-2-684x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 22.1-2\" class=\"kb-img wp-image-435\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-22-1-2-684x1024.jpg 684w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-22-1-2-201x300.jpg 201w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-22-1-2-768x1149.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-22-1-2-94x140.jpg 94w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-22-1-2-317x474.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-22-1-2-423x633.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-22-1-2-634x948.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-22-1-2-846x1266.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-22-1-2.jpg 887w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,684px\" \/><figcaption>Volume 22.1-2 \/ 1993<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1038_4ed320-ca > .kt-inside-inner-col,.kadence-column1038_4ed320-ca > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1038_4ed320-ca > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1038_4ed320-ca > .kt-inside-inner-col{flex-direction:column;}.kadence-column1038_4ed320-ca > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1038_4ed320-ca > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1038_4ed320-ca{position:relative;}@media all and (max-width: 1024px){.kadence-column1038_4ed320-ca > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1038_4ed320-ca > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1038_4ed320-ca\"><div class=\"kt-inside-inner-col\">\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>A. Walton Litz and Omar Pound, \u201cAn Unpublished Poem of 1909\u201d<\/p>\n\n\n\n<p>Massimo Bacigalupo, \u201cPound Studies in Italy, 1991\u201d<\/p>\n\n\n\n<p>James Generoso, \u201cI Reckon You Pass, Mr. Wuddwudd\u201d<\/p>\n\n\n\n<p>Archie Henderson, \u201cPound, the War, and \u2018The Banquet\u2019 (1916)\u201d<\/p>\n\n\n\n<p>Songpin Jin, \u201cFenollosa and \u2018Hsiao Hs\u00fceh\u2019 Tradition\u201d<\/p>\n\n\n\n<p>Guiyou Huang, \u201cEzra Pound: (Mis)Translation and (Re-)Creation\u201d<\/p>\n\n\n\n<p>Christina DuVernay, \u201c\u2018And Halo Projects from Incision\u2019: Ezra Pound\u2019s Deification of Henry Gaudier-Brzeska\u201d<\/p>\n\n\n\n<p>Sylvan Esh, \u201cPound and Jakobson: The Metaphorical Principle in&nbsp;<em>The Cantos<\/em>\u201c<\/p>\n\n\n\n<p><strong>The Reviewer<\/strong><\/p>\n\n\n\n<p>Ira B. Nadel (<em>Ezra Pound\u2019s Poetry and Prose, Contributions to Periodicals<\/em>)<\/p>\n\n\n\n<p>John C. Hirsch (Reed Way Dasenbrock,&nbsp;<em>Imitating the Italians: Wyatt, Spencer, Synge, Pound and Joyce<\/em>)<\/p>\n\n\n\n<p>Demetres P. Tryphonopoulos (<em>Ezra Pound: Drafts and Fragments of Cantos CX-CXX<\/em>, tr. Charles Vlavianos)<\/p>\n\n\n\n<p>Jo Ellen Green Kaiser (Scott Hamilton,&nbsp;<em>Ezra Pound and the Symbolist Inheritance<\/em>)<\/p>\n\n\n\n<p>Philip Furia (Jerome McGann,&nbsp;<em>Toward a Literature of Knowledge<\/em>)<\/p>\n\n\n\n<p><strong>The Explicator<\/strong><\/p>\n\n\n\n<p>Omar Pound, \u201cCanto 113: Tweddell, Men against Death and Paul de Kruif\u201d<\/p>\n\n\n\n<p>Donald Gallup, \u201cEzra Pound\u2019s Experiment for&nbsp;<em>Esquire<\/em>)<\/p>\n\n\n\n<p>Pamela E. Hurley, \u201cEzra Pound\u2019s \u2018Yeux Glauques&#8217;\u201d<\/p>\n\n\n\n<p>Hugh Witemeyer, \u201cOliver Wendell Holmes, William Dean Howells, and Ezra Pound\u2019s \u2018Apostolic Succession&#8217;\u201d<\/p>\n\n\n\n<p>Robert C. Merritt, Jr., \u201c\u2018Witching Music\u2019: Several Examples of How Pound Adopted the Musicological Discoveries of Arnold Dolmetsch\u201d<\/p>\n\n\n\n<p>Jee Young Lee, \u201cEating\u201d<\/p>\n\n\n\n<p>Patrick McGuiness, \u201cA Note on \u2018The Muses\u2019 Diadem&#8217;\u201d<\/p>\n\n\n\n<p>Ursula Shioji, \u201c\u2018<em>Hokku<\/em>-Like\u2019 Elements in Canto IV\u201d<\/p>\n\n\n\n<p>John Espey, \u201c\u2018Mihites in Pennsylvania\u2019 (71\/418)\u201d<\/p>\n\n\n\n<p>\u00c9va Nagy, \u201cJ\u00f3n\u00e1s, Pull down Your Vanity: The Artist\u2019s Commitment as Seen by Ezra Pound and Mih\u00e1ly Babits\u201d<\/p>\n\n\n\n<p>Avril Horner, \u201cThe \u2018Intelligence at Bay\u2019: Ezra Pound and Geoffrey Hill\u201d<\/p>\n\n\n\n<p>Ethan Lewis, \u201c\u2018This Hulme Business\u2019 Revisited, or Of Sequence and Simultaneity\u201d<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Periplum A. Walton Litz and Omar Pound, \u201cAn Unpublished Poem of 1909\u201d Massimo Bacigalupo, \u201cPound Studies in Italy, 1991\u201d James Generoso, \u201cI Reckon You Pass, Mr. Wuddwudd\u201d Archie Henderson, \u201cPound, the War, and \u2018The Banquet\u2019 (1916)\u201d Songpin Jin, \u201cFenollosa and \u2018Hsiao Hs\u00fceh\u2019 Tradition\u201d Guiyou Huang, \u201cEzra Pound: (Mis)Translation and (Re-)Creation\u201d Christina DuVernay, \u201c\u2018And Halo [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1038","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Paideuma 22.1-2 - The Center for Poetry and Poetics - University of Maine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/volume-22-1-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paideuma 22.1-2 - The Center for Poetry and Poetics - University of Maine\" \/>\n<meta property=\"og:description\" content=\"The Periplum A. 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