{"id":1026,"date":"2023-04-11T17:21:24","date_gmt":"2023-04-11T21:21:24","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=1026"},"modified":"2024-10-08T15:47:22","modified_gmt":"2024-10-08T19:47:22","slug":"volume-24-1","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-24-1\/","title":{"rendered":"Paideuma 24.1"},"content":{"rendered":"<style>.kb-row-layout-id1026_1d0765-f1 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1026_1d0765-f1 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1026_1d0765-f1 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1026_1d0765-f1 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1026_1d0765-f1 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1026_1d0765-f1 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1026_1d0765-f1 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1026_644b3d-5d > .kt-inside-inner-col,.kadence-column1026_644b3d-5d > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1026_644b3d-5d > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1026_644b3d-5d > .kt-inside-inner-col{flex-direction:column;}.kadence-column1026_644b3d-5d > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1026_644b3d-5d > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1026_644b3d-5d{position:relative;}@media all and (max-width: 1024px){.kadence-column1026_644b3d-5d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1026_644b3d-5d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1026_644b3d-5d\"><div class=\"kt-inside-inner-col\"><style>.kb-image1026_48f73f-4d .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image1026_48f73f-4d size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-24-1-684x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 24.1\" class=\"kb-img wp-image-439\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-24-1-684x1024.jpg 684w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-24-1-201x300.jpg 201w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-24-1-768x1149.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-24-1-94x140.jpg 94w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-24-1-317x474.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-24-1-423x633.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-24-1-634x948.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-24-1-846x1266.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-24-1.jpg 887w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,684px\" \/><figcaption>Volume 24.1 \/ 1995<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1026_846c0c-2c > .kt-inside-inner-col,.kadence-column1026_846c0c-2c > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1026_846c0c-2c > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1026_846c0c-2c > .kt-inside-inner-col{flex-direction:column;}.kadence-column1026_846c0c-2c > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1026_846c0c-2c > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1026_846c0c-2c{position:relative;}@media all and (max-width: 1024px){.kadence-column1026_846c0c-2c > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1026_846c0c-2c > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1026_846c0c-2c\"><div class=\"kt-inside-inner-col\">\n<p>This Issue of&nbsp;<em>Paideuma<\/em>&nbsp;Is Dedicated to<br><strong>Olga Rudge<\/strong><br>on the Occasion of her 100th Birthday<br>April 13, 1995<\/p>\n\n\n\n<p>CONTENTS<\/p>\n\n\n\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>Anne Conover, \u201cHer Name Was Courage: Olga Rudge, Pound\u2019s Muse and the \u2018Circe\/Aphrodite\u2019 of the Cantos\u201d<\/p>\n\n\n\n<p>Marisa Anne Pagnattaro, \u201cThe \u2018Unwobbling Pivot\u2019: Uncertainty and Process in&nbsp;<em>The Pisan Cantos<\/em>\u201c<\/p>\n\n\n\n<p>Claudia Ingram, \u201cSharing Strategies with the Discourses of Authority: Ezra Pound and the Legal \u2018Modernists&#8217;\u201d<\/p>\n\n\n\n<p>Yuet May Ching, \u201cFrom Priest to Victim: The Problem of Sacrifice in Allen Upward and Ezra Pound\u201d<\/p>\n\n\n\n<p>Colin McDowell, \u201cUsing the Dictionary: Wicket Gate and Wormwood\u201d<\/p>\n\n\n\n<p><strong>The Explicator<\/strong><\/p>\n\n\n\n<p>Leslie Hatcher, \u201c\u2018Circe\u2019s This Craft\u2019: The Active Female Principle in&nbsp;<em>The Cantos<\/em>\u201c<\/p>\n\n\n\n<p>Evan R. Karachalios, \u201cSacrifice and Selectivity in Ezra Pound\u2019s First Canto\u201d<\/p>\n\n\n\n<p>Cameron McWhirter and Ramsay Muhler, \u201cSerious Character to Funny Man: Ezra Pound\u2019s Brief Correspondence with Alexander Woollcott\u201d<\/p>\n\n\n\n<p>Sylvan Esh, \u201cPaquin and Davila: Pulling Down Vanity in Canto 81\u201d<\/p>\n\n\n\n<p><strong>The Reviewer<\/strong><\/p>\n\n\n\n<p>Ronald Bush (<em>Variorum Edition of \u201cThree Cantos\u201d: A Prototype<\/em>, ed. Richard Taylor)<\/p>\n\n\n\n<p>Richard Taylor (<em>Ezra Pound and James Laughlin, Selected Letters<\/em>, ed. David M. Gordon)<\/p>\n\n\n\n<p>Leszek Engelking (Ezra Pound,&nbsp;<em>Chtel jsem napsat raj (vybor z dila)<\/em>, ed. Petr Mike\u0161; tr. Kamil Bednar, Jitka Herynkova, and Petr Mike\u0161; intr. Josef Jarab)<\/p>\n\n\n\n<p>Demetres P. Tryphonopoulos (<em>The Letters of Ezra Pound to Alice Corbin Henderson<\/em>, ed. Ira B. Nadel)<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>This Issue of&nbsp;Paideuma&nbsp;Is Dedicated toOlga Rudgeon the Occasion of her 100th BirthdayApril 13, 1995 CONTENTS The Periplum Anne Conover, \u201cHer Name Was Courage: Olga Rudge, Pound\u2019s Muse and the \u2018Circe\/Aphrodite\u2019 of the Cantos\u201d Marisa Anne Pagnattaro, \u201cThe \u2018Unwobbling Pivot\u2019: Uncertainty and Process in&nbsp;The Pisan Cantos\u201c Claudia Ingram, \u201cSharing Strategies with the Discourses of Authority: Ezra [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1026","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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