Paideuma 15.2-3

Thumbnail of cover for Paideuma volume 15.2-3
Volume 15.2-3 / 1986

The Periplum

Kathryne V. Lindberg, “Tradition and Heresy: Pound’s Dissociation from Eliot�

Martin A. Kayman, “Ezra Pound: The Color of His Money�

Ian F. A. Bell, “A Mere Surface: Wyndham Lewis, Henry James and the ‘Latitude’ of Hugh Selwyn Mauberley“

John J. Nolde, “Ezra Pound and the Ta Hio: The Making of a Confucian�

Mohammad Shaheen, “Pound and Arabic�

M. L. Rosenthal, “Discovering E. P.�

The Explicator

Donald Gallup, “Ezra Pound’s “An Opening for Agamemnon“

Walter Baumann, “‘Birds, Said Hudson, Are Not Automata’â€�

G. Schmidt, “The Ezra Pound Stone at Medinaceli�

Colin McDowell, “Look before Seeing�

Stephen J. Adams, “Apovitch in Canto XII�

Jeff Twitchell, “A Church Note�

Eliot Weinberger, “A Note on the Cathay&²Ô²ú²õ±è;±õ»å±ð´Ç²µ°ù²¹³¾â€�

John Leigh, “‘An Odd Sort of Post-Graduate Course’: Ezra Pound’s First Course in Modern Poetry Discovered�

David M. Gordon, “Blum’s Bidet Revisited, or The Final Solution�

The Biographer

Sheri Martinelli, “A Memoir�

Kathleen Flanagan, “Ezra Pound and Amy Lowell: English Poetics in Renditions of Chinese Poetry�

Celeste Goodridge, “‘Firm Piloting of Rebellious Fluency’: Marianne Moore’s Reviews of The Cantos of Ezra Poundâ€�

Hugh Witemeyer, “The Strange Progress of David Hsin-Fu Wand�

The Documentary

Tim Redman, “Pound’s Library: A Preliminary Catalog�

Omar Pound, “Addenda for Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914“

The Vortex

Marianne Korn, “E. P.: The Dance of Words�

Robert Lumsden, “Ezra Pound’s Imagism�

Francis McKee, “Commentary on the Drafts and Fragments“

Lionel Kelly, “Guide to Kulchur: The Book as Ball of Light�

Sanehide Kodama, “Mary de Rachewiltz in Japan�

A Tribute to Duncan Eaves

The Reviewer

Massimo Bacigalupo (Ezra Pound, I Cantos, Italian translation and editing by Mary de Rachewiltz)

James J. Wilhelm (The Garland Library of Medieval Literature from a Poundian Perspective)

Paul Smith (Philip Furia, Pound’s Cantos Declassified)

Leon Surette (Peter Makin, Pound’s Cantos)

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The rare portrait of Pound used for the cover is provided by Quentin Keynes. Text beneath the picture reads: “Portrait of Ezra Pound / author of / POEMS 1918-20 / Including ‘Three Portraits’ / Boni & Liveright $2.00.�