Paideuma 44
Symposium
“In what sense does the work to which you are committed share in the renovation of society?”
Rachel Tzvia Back, “Poetry in the 21st Century and Radical Faith”
Sarah Barnsley
Allison Cobb
Commune Editions
Maria Damon, “Potential Gristlies”
Rachel Blau DuPlessis, “Social Renovation and Cultural Work, an Essay for Paideuma”
Norman Finkelstein, “Affective Dissonance: Reflections on My Work in a Time of Crisis”
Alan Golding, “Reading, the Academy, and the ‘Soft’ Avant-Garde: Tan Lin’s Heath and Heath Course Pak”
Michael Heller, “‘In What Sense…’”
David Herd, “Response to Paideuma”
Laura Hinton, “Political Poetics and Love”
Linda A. Kinnahan
Ann Lauterbach, “Counting the Ways”
Philip Metres, “The Poem’s Future”
Malgorzata Myk, “(Mis)Crossing Threads”
A. L. Nielsen, “State/meant 2017”
Jean-Michel Rabaté
Dale Smith, “A Note on Companionship, Division, and Poetry”
Askia M. Touré
David Trinidad, “One Reader”
Keith Tuma
Ann Vickery
Fred Wah, “For Paideuma”
Jerome McGann, “Indian Treaties and American Exceptionalism: Prolegomena to a Study of American Ideology”
Other Essays
John Beall, “Pound, Hemingway, and the Inquest Series”
Julie Goodspeed-Chadwick, “Identity Politics, Modernist Aesthetics, and Modernist Abstraction in H.D.’s Helen in Egypt”
Margaret Konkol, “‘That Irate Pornographist’: Gender and Nature in Mina Loy’s ‘Songs to Joannes’”
Mark Byers, “Moving Metres: Hilda Morley and Gestural Abstraction”
Notes on Contributors
Cover: Mercedes Matter, Landscape verso Abstraction (ca. 1928). Oil on board, 15 x 18.25 inches. Courtesy Mark Borghi Fine Art, New York.